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Sunday, August 2, 2015

Interview with RickOrmortis Schreck for #ZOMBIEART WEEKLY

Interview with RickOrmortis Schreck for #ZOMBIEART WEEKLY


One reason I wanted to interview you is that you're a successful businessman and many artists starve for lack of business acumen. I think there's a lot people can learn from you. So here's my questions:


 1) When did you realize that you were an artist?

I'm not really sure dude. As a young kid I always used to watch my mother create art and knew that I wanted to be able to paint and draw like she did. My father was a bodybuilder and an athlete as well as both of my brothers were athletic.I never really was I was the chubby kid who would rather watch scary movies and read comic books. I spent alot of time watching monster movies , Godzilla flicks etc whatever was on TV, being that I was a kid before cable TV lol. I think we finally got cable in our area when I was about 12 then I was heavily influenced by MTV. So it was me, the TV and my sketch pad all the time. I didn't realize I was an artist it was just what I did to entertain myself, I needed to.


  2) What was the progression of mediums? Pencil, ink, paint, then tattooing? Or some other order?

All through high school,which my senior year daily schedule was English, Gym, Lunch and 5 Art classes,lol, I used India ink and Quill pens. I also loved to use those refillable Rapidograph pens as well. When painting I used Acrylics.

In art school I learned to draw using a Sable brush and India Ink, which I still use to this day. In fact I'm still  using the brushes I bought in 1988!

At 24 when the Tattoo Gods called me to service I started using Spectracolor  Pencils to design flash. Now since they are no more I use Prismacolor.

And of course...tattoo machine daily . It's been 20 years now.


   3) What kind of formal training have you had?

After high school I went to the "Joe Kubert School of Cartoon and Animation" in Dover NJ. It was a new school at the time with a 3 year program. I didn't do well there, I was always in the office. After my first year I was told I would have to repeat my first year to get credit. Three of my eight teachers considered some of my work offensive and wouldn't grade it until I redid it. I stood my ground many times because they weren't saying it wasn't good it was just the topics mostly , lots of murder scenes , gross dismembered  bodies etc. So I got alot of "incompletes"It was 1988 and things were way different then, shit , Beavis and Butthead wasn't even  out yet. I still have my rejection letter from the school which I display with pride.



4) When did you start doing zombie portraits? Which ones do you feel are your best?


Been doing it for quite a while now, but I didn't call it Zombie Portraits back then. I used to call it making people into Demons . I started doing the Zombie Portraits hardcore when America fell in love with The Walking Dead in 2010. It was so awesome to finally see people embrace Zombie culture. I have been in love with all things Zombie since the original Dawn of the Dead.

My best zombie portraits? I'm my own worst critic . I guess I am happy with an Infection I recently did of an old Margaret Keane painting. It was different than my usual techniques. This time I strictly used Prismacolors instead of the usual Ink & Brush.
The portrait of Gary Streiner came out kinda cool. It was for a fundraising poster for the Fix The Chapel cause. That was a group of people raising money to help restore a site that the original Night of the Living Dead was filmed at. That's were I came in contact with you too dude! I won the auction for your Zombie Ronald Mcdonalds!


5) What are your top three horror movies?  

 Top 3 Horror movies
  Dawn of the Dead  - 1978
  The Shining
  Hellraiser


6) How has social media affected your art? Has it made you more productive? Does it inspire you to see so many other people sharing their work and encouraging one another?

.Social media has totally lit a fire under my ass to continue creating constantly. Being in contact with so many awesome creative people has affected or rather " Infected" me in so many ways.


7) Tell us about your Zombie Artist Facebook group

The Zombie Artist Facebook group was created to bring us Zombie maniacs together to share ideas, build one another up and who knows maybe do a huge project together. Instead of competing I think it's cooler to network and grow as a group. We all love the same thing, fucking up people's pics and making them look dead.


 8) Where can readers go to learn more about your work and contact you about acquiring Rick Schreck originals ?  

I have a website  ZOMBIEVIRUSART.COM that has all of my stuff. Everything from my Tattoo shop, House of 1000 Tattoos to Zombie Portraits, Infected Thrift Store finds, Custom Ouija Boards, my comic "The Livindeds" and a page on my Zombie Dollhouse that I have been working on for 6 months now.

(MORE LINKS BELOW)


























https://society6.com/rickormortisschreck

https://www.etsy.com/shop/ZombieInfections?ref=hdr_shop_menu

https://www.facebook.com/pages/Zombies-by-RickOrmortis-Schreck/140592002694142?ref=hl

https://www.facebook.com/pages/HOUSE-OF-1000-TATTOOS/60057472825?ref=hl

I can always be reached at ZOMBIEVIRUSART@GMAIL.COM for info regarding originals & commissions . Thanks so much Jack! It is really cool being interviewed by an artist such as yourself. I am a huge fan of your work and have built up quite a collection!  Keep Infecting Stay Sick!!

Thursday, July 16, 2015

ABSTRACT CAT ART Throw Pillow 16" x 16"



ABSTRACT CAT ART BY JACK LARSON

BUY NOW

  Polyester Throw Pillow 16" x 16"

Accent your home with custom polyester pillows. Made of a high quality Simplex Knit fabric, these 100% Polyester pillows are soft and wrinkle free. The heavy weight stretch material provides great color definition for your designs, text, monogram, and photos. The perfect complement to your couch, custom pillows will make you the envy of the neighborhood

Dimensions: 16" x 16" (square).
Hidden zipper enclosure; synthetic-filled insert included.
Simplex Knit Fabric; 100% Polyester; Wrinkle Free.
Made in the USA.
Machine washable.

"THINK" Throw Pillow With Art by Jack Larson

"THINK" 

Throw Pillow With Art by Jack Larson



                                         
  Polyester Throw Pillow 16" x 16"

Accent your home with custom polyester pillows. Made of a high quality Simplex Knit fabric, these 100% Polyester pillows are soft and wrinkle free. The heavy weight stretch material provides great color definition for your designs, text, monogram, and photos. The perfect complement to your couch, custom pillows will make you the envy of the neighborhood

Dimensions: 16" x 16" (square).
Hidden zipper enclosure; synthetic-filled insert included.
Simplex Knit Fabric; 100% Polyester; Wrinkle Free.
Made in the USA.
Machine washable.

ZOMBIE ART THROW PILLOW






  Polyester Throw Pillow 16" x 16"

Accent your home with custom polyester pillows. Made of a high quality Simplex Knit fabric, these 100% Polyester pillows are soft and wrinkle free. The heavy weight stretch material provides great color definition for your designs, text, monogram, and photos. The perfect complement to your couch, custom pillows will make you the envy of the neighborhood

Dimensions: 16" x 16" (square).
Hidden zipper enclosure; synthetic-filled insert included.
Simplex Knit Fabric; 100% Polyester; Wrinkle Free.
Made in the USA.
Machine washable.

Friday, July 10, 2015

Interview with Author Brian Kaufman for #ZOMBIEART WEEKLY

brian at polaris 2
(Brian Kaufman conducting a lecture at the Polaris Expeditionary School in Fort Collins, Colorado for aspiring horror writers at its annual “Zombie Week”) 


This weekend marks the official launching of #ZOMBIEART WEEKLY, a weekly online news website dedicated to zombies in art, film, literature, and entertainment. You may visit the site here, and subscribe for a weekly email update: http://zombieartweekly.com/ .  

For the first edition, I have interviewed Brian Kaufman, author of Dead Beyond the Fence: A Novel of the Zombie Apocalypse, Mary King's Plague, The Wretched Walls, and several dark novellas deeply mired within the horror genre. Links to his published works and his social media are posted below. 


Brian, thank you for agreeing to this interview. I thought it was appropriate for you to be #Zombieart Weekly's first featured author because my first zombie painting to be sold on Ebay just happened to be the one you chose for the cover of Dead Beyond the Fence.  

Do you sit down at a blank computer screen and just type, or do you have hand-written manuscripts that you transcribe? 

My first novel (unpublished) was handwritten. When I edited, I performed a literal cut-and-paste. What a mess. Since then, I've worked at the blank screen. I generally won't start writing until I have thought the plot and characters through, so I don't really need notes

Do you have several works in progress concurrently or do you focus on one project at a time? 

Years ago, I went into a Chapter 13 bankruptcy, requiring me to pay the trustee an ungodly amount of money each month. So I worked 90-100 hours per week to make those payments and keep the family fed. Which left me one night a week to myself; three a.m. to six a.m. So as not to feel cheated, I filled the time with several activities. I'd watch a VHS movie while writing, cooking (a hobby) and reading. Five years of that left me hardwired to multi-task. That urge carries over into my writing. I'm currently writing a textbook (finance), a novella (horror), a short story (horror) and a historical novel (Civil War). I'm also poking at a baseball novel. 

When did you know that you were an author? Was there a particular writer or teacher that inspired you? 

My parents say I wrote comic books at the age of five and read them to the neighborhood kids. I remember deciding in seventh grade that being an author would be my fallback plan, in case the Yankees didn't want me as a center fielder. (They didn't.)

Which of your books would you like to see made into a movie, and which director would you entrust with bringing your vision to life? 

The problem is, I admire certain directors because they are so good at bringing their visions to life. That said, I guess I'd like to see Clint Eastwood tackle The Wretched Walls. He understands a slow burn as well as anyone in Hollywood. 

What draws you to the horror genre? 

Horror is versatile. The genre has its roots in literary fiction. There's also a grand tradition of comics and pulp to play with. And horror fiction is dark. Most people, if asked, will describe themselves as optimistic and cheerful. That strikes me as an admirable but misguided view of life. 

Do you ever get "writer's block"? And if so, any tips on how to get through it? 

I don't get writer's block. But I have often invested long periods of time in worthless projects. I have one novel in mind, written not once, but twice. I am shaking my head now, just thinking of it. Astounding piece of crap. That aside, I always seem to be able to write something. 

For your own reading, do you prefer ebooks or traditional paper/hard back books? 

I am in love with eBooks. The initial joy was being able to read in bed, despite the fact that my dachshund Gus likes to sit on my chest at night. When I realized I could stockpile titles, I had a hoarder's delight in carrying my to-be-read books with me wherever I went. However, I have an office full of hardback books - favorites - and will always, always love the feel of a physical book. 


What are you working on at the minute and where can readers go to learn more? 

Dark Silo (darksilopress.wordpress.com) will be releasing Mary King's Plague and Other Tales of Woe in softback before summer's end. The book is a collection of four dark novellas. You can also watch for a short story anthology called "A Mythos Grimmly," featuring a number of name authors, including the late J.F. Gonzales. The idea was to present mash-ups of fairy tales and the work of H.P. Lovecraft. My story focuses on an old French children's tale called Donkeyskin. 


Thank you again Brian! I look forward to reading more of your work. Also, as an aside, I am really enjoying your "Weird Architecture of the Week"  on Dark Silo's Facebook page (linked below).-- Jack Larson

DBTF Cropped cover    Mary King's Plaque Cover   Wretched Walls_final thumb   
Mary King’s Plague     Kindle     Nook     Kobo

    Dead Beyond the Fence     Print      Kindle     Nook     Kobo
Follow Brian Kaufman's work on Facebook:


Dark Silo Press



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